natural facial images are twofold: texture appearance differences and geometric differences. Past work in this research area primarily focused on capturing the appearance style of art, and not the geometric style. With artistic portraits, geometric style is imperative, note the authors of the study, but challenging to capture since every artist has their own creative, distinct style.
"For example, the Italian painter Clemente Modigliani is known for painting elongated faces, and the American painter Margaret Keane is known for painting faces with very big, exaggerated eyes," says Shamir. "Our work allows computers and algorithms to reveal this information and recognize this aspect of geometric style in portraitpaintings."
To capture geometric styles in portraits, there is a need to recognize the facial features and the structure of the face in the painting. To this end, the researchers' method concentrates on detecting facial features in the artwork, using landmark points on the face. Depending on the artist's style, these features can be diverse in shape and exaggerated, not resembling real human faces. To overcome this challenge, they apply a known method called "augmentation" of natural face images, transforming photographs of natural facial images to be more similar to "artistic" portraits, and train neural networks to detect the landmark points.
The researchers evaluated their landmark detection method by creating a dataset of artistic faces containing 160 artistic portraits by 16 different artists of various genres and styles, with large variations in both geometry and texture. In the paper outlining their work, they also demonstrate several applications for artistic facial feature detection and geometric style analysis. These include understanding the style of specific artists, comparing styles of different artists, and following possible trends of artistic styles. Another popular application is style-transfer: where one can transform a given input picture of a face to a painting in the style of a given artist in both texture and geometry.
In future work, the team hopes to use the geometric style signature to build classifiers that can recognize a specific artist and expand the definition of geometric style beyond faces—a current challenge in computer graphics and art.


0 comments:
Post a Comment